Like many people, I’ve been thinking a lot about the content I create and consume over the last 12 months. The constant rise of AI slop, the ethics and costs of various streaming services, and the mental impacts of short-form content and social media have all played a part.
Along with pondering the future of writing, it’s one reason I’ve picked a seemingly odd time to start learning photography. I’ve also watched more than enough Youtube guides to building cheap home servers to run my own personal streaming solution, revived an old cheap record player from my childhood, and continued to stockpile physical media.
But while I continue the entertainment version of doom prepping, there have still been a lot of great new films, TV shows, music, games and more to lift my spiritis.
Dan’s Disposable 2025: Watching
For the first time, I’ve started logging the films I watch on Letterboxd, to accompany my Last.fm and Goodreads tracking. Which definitely makes it easier to pick the highlights from the 60 movies I’ve watched over the last 12 months.
From the 2025 releases, Death of a Unicorn was enjoyable nonsense, Deep Cover was fun, and Wake Up Dead Man was up to the usual standard of the Knives Out films. But probably the most interesting was F1: The Movie with Brad Pitt. As a lifelong motorsport obsessive, I thought it was OK but spent too much time on cliched movie tropes rather than racing action and details. But my partner rated it as one of the best car films she’d seen, probably for the same reason.
And yet we both love Rush and Le Mans ’66 (aka Ford vs Ferrari), which both seem to manage the balance better.
Some of the more interesting older releases included The Last Duel, which took a different perspective on medieval chivalry, the aesthetics of both Asteroid City and The Sisters Brothers, the plots of Civil War and The Order, and the achievement of low budget time travel film Lola.
On the smaller screen, Slow Horses and the new related Emma Thomson series Down Cemetry Road didn’t disappoint. Neither did The Bear, or the latest series of Andor. The last of which persuaded my partner to try a Star Wars TV series for the first time, and was well received by both of us.
Riot Women was righfully a standout of the year, even if it was hard watching the behaviour of pretty much every male character. It helped that the music created by Brighton band ARXX for the series captures some of the best aspects of riot grrrl classics to balance the more horrific and tragic moments, and that the entire cast is amazing.
One new series which might have been slightly overlooked is A Thousand Blows. Stephen Graham rightfully deserved all of the praise and recognition for Adolesence which arrived on Netflix this year, but this Disney+ series is also very much worth watching as it follows the all-female crime syndicate the Forty Elephants, and the world of bare-knuckle boxing in the 1880s East End of London.
Erin Doherty stands out as gang leader Mary Carr, despite the presence of Graham and the central role of Malacki Kirby as Jamaican immigrant Hezekiah Moscow. And the real stories on which the series is based are equally fascinating if you fancy spending some time reading up on the background. With a second series arriving in January, it’s a good time to catch up on the first.
One painful thing this year is the loss of Rob Reiner, whose The Princess Bride is an annual New Year’s tradition in my house. Not to mention Spinal Tap, Stand By Me and so much more.
Dan’s Disposable 2025: Listening
As always, I’ve spent the year trying to discover new music along with playing my old favourites while I work from home. Apparently I’ve scrobbled around 9,500 tracks without taking into account physical media, or the standby of Radio 6Music to find new bands (or classic soul tracks I’ve missed thanks to Craig Charles).
I’m still working my way through various ‘best of 2025’ lists, but some of the standouts for me this year include the absolutely hypnotic ‘Oaxaca’ by Maggie Koerner;
I also really liked new albums ‘The Parlour’ by Picture Parlour, ‘Glory’ by Teen Jesus and the Jean Teasers, and the ‘Cruising To Self Soothe’ single by Ecca Vandal.
I was late to the Ghost train, but spent a lot of time catching up this year, along with listening to Skelata on repeat. And while I’ve tried to indoctrinate my teenage son with my favourite artists, he’s now returned the favour with Sabaton popping up a lot, including their new album Legends.
Speaking of being late to an artist, I also discovered the amazing Stephen Wilson Jr this year, who is around my age and blends country, rock and great lyrics wonderfull in songs like Year to Be Young 1994 and Father’s Son. And also does one of the only covers of ‘Stand By Me’ that is worth knowing.
Alongside all of that great new music, I have to acknowledge that we lost several musicians who played a huge part in my life. In the space of just a few weeks we lost Jimmy Cliff, Steve Cropper and Mani from the Stone Roses. All three feature enormously in my love of music, whether it’s the entire Stax back catalogue, the iconic soundtrack of The Harder They Come, or spending teenage years shuffling on a dancefloor to She Bangs the Drums, I Wanna Be Adored, or I Am the Resurrection.
Dan’s Disposable 2025: Gaming
I had a fair bit to look forward to this year. Big name releases including Football Manager 26, Call of Duty Black Ops 7 and Assetto Corsa EVO were all on my wishlist. And all three were more than a little disappointing at launch (although AC EVO has come on a lot since arriving in January).
But the biggest surprising and highlight was actually releated to one of them, with Assetto Corsa Rally announced shortly before launching in early access in November 2025. It’s the first rally game to include laser-scanned stages, and developers Supernova Games Studios have combined the AC physics engine with what appears to be a massive love and obsession with rallying. I loved it, but even more surprising was that it encouraged by non-sim racing family to have a go behind the wheel.
It also looks and sounds great.
Outside of racing games, which I’ll cover in far more depth over at OnlineRaceDriver, I did dabble a bit with Rematch, although lag issues meant that it didn’t last long. Instead I did benefit from GamePass as it encouraged me to give Vampire Survivors (2022) and Deep Rock Galactic Survivor (2024) a try, and they both took me back to one of my early gaming memories playing Gauntlet for hours on a Spectrum with a family friend.
I also revisited another classic gaming memory with Tony Hawks Pro Skater 3 + 4 which is a great updated version of the series.
Of the big name titles, probably Call of Duty has been the most disappointing. As much as I can still get caught up in the quick action and camo grind, it feels like a cut-and-paste of previous games with all the same problems involving latency, repetitive maps and pointless prestiging. At least my switch to milsims means I have Hell Let Loose: Vietnam to look forward to, while the original has had some good recent updates.
Dan’s Disposable 2025: Reading
The one area I’ve let lapse too much in 2025 has been reading for pleasure rather than work. I’ve got an ever-growing pile of books to catch up on, and I need to start setting some specific time to relax with the printed word rather than staring at a screen all day.
One thing I have been doing is revisiting classic science fiction, having picked up various SF Masterworks editions. Some are familiar, like The Time Machine and The War of the Worlds by H.G Wells, and others I’d missed like The Stars My Destination by Alfred Bester, but all are fascinating. I suspect I’ll be trying to work my way through the whole list over the coming years.
And alongside that I have modern scifi to catch up on, along with all the Reacher, Bosch, Wallander and Beck novels I have yet to acquire to complete the various series.
Looking forward to 2026
It’s been a weird year. But amidst the turmoil, there’s always some great new music, art, literature and gaming, and whatever your highlights have been, it’s important to recognise and celebrate them when times are tricky. One thing that has been noticeable for me is that many of my highlights involve other people, whether it’s watching films with my family, gaming with my son and friends, or getting a great recommendation for a book or music online.
For me, 2026 is about building more connections. Whether that’s meeting up with other, better photographers to learn more, focusing on the more social side of gaming (especially sim racing with my team), or inviting friends round for some movie nights.
Hopefully by the end of the year I’ll have made more progress on sorting and making my physical media more easily available. And feed some of that back into this website, too.
For a very different but really interesting set of highlights, check out Qazi’s picks of the year for 2025. And I’m really keen to hear what stood out for you this year, so leave a comment witch your favourite discoveries, both new and old.

















