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The Avalanches: Because I’m Me Remixes review

13th May 2018 By Qazimod Leave a Comment

When I covered The Avalanches’ album Wildflower in 2016, Because I’m Me was something that stood out among the 21 tracks as a catchy and upbeat piece of music, and it’s one of the tracks that I still keep in my playlists today. The main vocal hook and rap interludes complement each other well, and the melodies are rarely anything less than bright and uplifting. In truth, I would have liked to have more songs as charming as this one, but for a moment it looked like I was going to get the next best thing when an EP of Because I’m Me remixes was released in February. Unfortunately, the Because I’m Me remixes have been unavailable on most services here in the UK, and this is why I haven’t had a chance to listen to them until quite recently.

The EP of Because I’m Me remixes has a promising start

Because I'm Me Remixes

The EP of Because I’m Me remixes consists of five tracks – four remixes of Because I’m Me (by Bondax, Dâm-Funk, Black Milk and Moor Mother) and a Zero Percent remix of The Noisy Eater. Some of these run with the moods and melodies of the original, whilst others apply the vocals to much more interesting backing tracks. For instance, the opening remix by Bondax has a gentle and laid-back twist to the familiar melodies and tempos but still stays true to the spirit of the song. Rather than feeling like a lazy imitation, it provides a catchy and enjoyable complement to the original tune, and is a great way to open the EP. This is then followed by the Dâm-Funk Re-Freak remix, possibly my favourite of the Because I’m Me remixes. Instead of going for the cheery melodic vibe, this remix feels like it offers more of a slick hip-hop variation – lazy rhythms and low bass tones are joined by a neat melodic hook, and the rap verses of the track are perfectly fitting.

The EP of Because I’m Me remixes has variety

Because I'm Me Remixes

Following this, the Black Milk remix is another example of a remix with a more soothing backing track, with a smooth vocal chorus joined by a steady backbeat. It’s more of a departure from the feel of the original than Bondax’s remix, but both are successful in creating a uniquely chilled atmosphere. At this point in the EP of Because I’m Me remixes, everything has sounded nice and accessible and “safe”… however, the final remix of the song is perhaps the biggest departure of the four. The Moor Mother remix of Because I’m Me plays with slices of samples from different parts of the track, mashes and distorts things, plays things out of order and introduces uniquely bizarre effects. It’s definitely the most daring of the BIM remixes, and although it might be a bit of a shock to those who want more of the same easy-going vibes, I think that it adds to the variety of the EP.

The final track is the Noisy Eater remix by Zero Percent. I liked the raps and melody of the original track, but this remix has more of a focus on dance-y rhythms, moody beeps and even the occasional bit of beatboxing for good measure. Again, it’s very different to the original but enjoyable in its own way. As a whole, I think that the EP of Because I’m Me remixes has a little something for everybody; I personally don’t know if I’ll have the original and the Bondax remix in my library since they both go for a similar mood, but I can easily see myself adding the Dâm-Funk or Black Milk tune in a playlist somewhere. Anyway, if you liked the original track you should definitely seek out the remix EP – you might not enjoy the whole thing but there’s likely to be something in there for you.

Filed Under: Music, Reviews Tagged With: avalanches, because i'm me, music, the avalanches, wildflower

The Avalanches: Wildflower Review

8th July 2016 By Qazimod Leave a Comment

There’s a certain group of writers for entertainment websites who wondered if they’d ever see this day. More than a decade after Since I Left You’s release, the second album from The Avalanches – Wildflower – is finally upon us. Even if people had forgotten about the group, they won’t have forgotten their music – many of the tracks from the debut are still in rotation on my playlists – and no matter how I feel about the content of Wildflower, it’s great to be able to talk about a new Avalanches release.

Wildflower – something for everyone

Wildflower

With a mammoth 21 tracks on the album, it would feel a bit too clinical to write out a track-by-track talkthrough of the Wildflower – suffice to say the range of moods and tempos throughout the album mean that there’s something for everyone to enjoy. At the same time, it doesn’t feel too unfocused as it moves from jaunty beats to dreamy ambience, but it’s too early to say whether it will be as memorable as Since I Left You. Also, just like the previous album, a few of the shorter tracks act like interludes more than anything, so it’s not as enormous as you might think.

Even though Frankie Sinatra sounded like one of the least Avalanches-style tracks around, other tracks on Wildflower do more to play with your expectations, such as The Noisy Eater – the lazy beats and slick raps contend with jingles and chants throughout the track, and noisy eating can certainly be established through some of the samples. One or two tracks on the album feel like they take a sample or hook and run with it for a while but don’t really do anything to the song structure or add any extra layers, and at times this makes you feel like some tracks are threatening to outstay their welcome. Even so, many of those hooks and beats are so catchy that you’ll quickly forget about it.

The broad range of Wildflower

Wildflower

The tracks that succeed the most in Wildflower are the upbeat and melodic tracks such as Subways and Because I’m Me. The tracks that feel at home on the album are the soothing and playful tracks such as Harmony and Colours. The tracks that don’t work quite so well are the ones that don’t feel like Avalanches tracks, such as Frankie Sinatra. Of course, you can’t be too hard on bands and artists for trying to broaden their range, but when juxtaposed with the tracks that *do* work, it stands out so much more. At times it feels like there is a weird emphasis on raps and rhymes that just wasn’t there in the debut (unless you want to count Avalanche Rock) although sometimes the raps are complemented by melodies that are good enough to make a track enjoyable.

I know that some of the 21 tracks on Wildflower are quick interludes (which is fine – again, see Avalanche Rock), but on occasion you feel like there are enough decent tracks to justify losing the weaker ones. Sometimes the variety in mood can be felt through a single song. For instance, The Wizard of Iz – previously teased in the “Since They Left Us” video – threatens to repeat the same loops over and over, but it quickly transitions to gentle vocals and then abrupt rapping. Conversely, tracks like Sunshine – with their smooth vocals and high strings – are much more pleasant, and the looping samples work because the other layers of the song are more progressive and complement the samples.

Wildflower – worth the wait?

Wildflower1

If you can take away anything from this album, it’s that it certainly feels like it’s been fifteen years in the making. It seems to avoid harsh criticism of the weaker tracks just by having so many tracks in total, and just when you start to shrug your shoulders at a less impressive beat, something else comes along and makes you think again. Also, the album definitely improves again as it draws to a close. (Oh, and to that group of people who like Frontier Psychiatrist more than any other track on Since I Left You – unfortunately there isn’t a record-scratching equivalent on Wildflower. Hopefully the better tracks on the album make up for it, but I understand the disappointment.)

Filed Under: Music, Reviews Tagged With: avalanches, music, the avalanches, wildflower

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