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New Amazon Series Follows Le Mans Racers

12th May 2017 By Dan Thornton Leave a Comment

Behind the big-name films and original dramas, Amazon Prime Video also has a decent range of documentaries. And that includes going behind the scenes of popular sports, such as American Football. Now a new Amazon series follows Le Mans racers and teams as they gear up for one of the toughest challenges in motorsport. In Le Mans: Racing is Everything we’ll watch drivers compete for 24 hours at speeds of more than 200mph.

Endurance racing doesn’t have quite as much publicity throughout the year as Formula 1. But it’s packed with interesting technology, including electric and hybrid power. And it’s as much of a battle to survive the race as it is to win it.

But the prestige associated with winning at Le Mans has been worth it for manufacturers. Since the 1950s, it’s become a testament to both speed and reliability. Which is why the series looks at teams including Porsche, Audi, Toyota and Aston Martin.

And it also has a special appeal for drivers, including ex Formula 1 star Mark Webber. The field also includes Gran Turismo GT Academy graduate Jann Mardenborough, plus three-time winner Andre Lotterer and Nico Prost, son of former F1 world champion Alain Prost.

Le Mans:Racing is Everything is directed by James Erskine. And it’s produced by Victoria Gregory, who also produced the Senna documentary film. Their production company, New Black Films, has also released previous sports documentaaries directed by Erskine, including football doc One Night in Turin.

It’s obviously going to appeal to motorsport fans. But anyone with an interest in technology or personal achievement will probably find something in it. Le Mans: Racing is Everything will become available on June 9th, 2017. That’s around 8 days before the 2017 Le Mans 24 Hour race begins. It’s available via Amazon Prime video, which is £5.99 per month, but currently offers a 30-day free trial, and is also free to Amazon Prime members.

And if you’re a motorsport or general car fan, you might like our sister sites Rescars, and OnlineRaceDriver, which cover cars and racing games respectively.

Filed Under: TV & Film Tagged With: Amazon Prime, Amazon Prime Video, Le Mans:Racing is Everything

All or Nothing Amazon Sports Documentary Review

8th October 2016 By Dan Thornton Leave a Comment

You don’t have to be a fan of American Football to enjoy All or Nothing: A Season With The Arizona Cardinals. In fact, it’s probably more enjoyable following the ‘Cards’ through their 2014/2015 season if you’re not a gridiron obsessive. But that doesn’t mean it’s not hugely enjoyable for anyone who enjoys sport stories of any kind.

The best audience for the series would be new or lapsed American Football fans. And the Amazon documentary could well be the perfect conversion tool for dedicated fans to convert their spouse, partner or family.

It has all the essentials. An underdog team which has hasn’t won the Superbowl in 118 years, but did reach the playoffs in 2008/2009. A coach in Bruce Arians who has been around for many years and isn’t afraid to still take risks. A team comprising of talented young rookies, journeymen veterans making surprisingly successful returns to the game. And a quarterback who may be among the best to have never made if through the playoffs.

Apparently NFL films collected more than 1,000 hours of footage for the All or Nothing project. Condensed into a first season of just eight hours, it’s dramatic, exciting and well-polished. The narration is handled by Don Draper himself, Jon Hamm, emphasising the investment in the series.

But summarising a whole season of NFL football into 8 hours does mean that All or Nothing can be criticised for lacking a little depth. Particularly when it comes to the games themselves. We get to see the important moments, but All or Nothing assumes you probably have some understanding of what a Blitz or Hail Mary might entail – and if not, you need to pick up that knowledge yourself.

Where it excels is in pumping up the excitement around the matches. And in showing enough of the business, mechanics and characters in the Arizona Cardinals to make you want to find out more. As an occasional NFL watcher who peaked when Channel 4 first broadcast NFL shows in the 1980s, I found myself bingewatching the series and then considering to stay up through the night to watch a Cardinals game which was being streamed live via Twitter.

And the Cardinals are the perfect team to have kickstarted All or Nothing (although a second series has been confirmed, there’s no news on which team is being followed).

There’s the trio of leaders for the business, with president Michael Bidwill, General Manager Steve Keim, and coach Bruce Arians. In 2012, Arians moved from being a career offensive co-ordinator to becoming head coach at the Indianapolis Colts due to the longterm illness of friend and boss Chuck Pagano. And after successful season and the Coach of the Year award, when Pagano was well again, Arians stepped down.

And an American football team is a pretty big squad by sporting standards. Between offense, defense and special teams, there’s a large cast. And that’s before you include the co-ordinators, trainers, other staff, players’ families and fans.

As with any NFL team, the quarterback will always stand out. In this case it’s Carson Palmer. A supposedly washed up veteran who never quite made it to the Superbowl, Palmer has been rejuvenated in the desert. And another experienced player, Larry Fitzgerald, has had an even more impressive career without ever being in a team that reached the ultimate reward in American Football.

Then there are the veterans who are drafted in during the season to cover gaps, and end up giving their all. For instance, Red Bryant, who receives a phone call in Texas, jumps on a plane, and is playing for the first team within a week. Or the tight defensive unit including Tyrann Mathieu and Patrick Peterson. Even when the Cardinals struggle to draft the player they have picked out in advance, they end up getting someone who the series can follow from rookie to immediate sensation.

Ultimately, the series works due to Bruce Arians, who provides plenty of memorable lines as well as steering the team through success and failure.

Even though he knows and is realistic about the fact some of his team won’t be around by the end of the season, he can’t help becoming close to various members of his roster. And by the same token, he’s visibly shaken by the news of friends and former colleagues losing their jobs at other teams when the regular season ends. That doesn’t interrupt a flow of memorable, profane and generally inspiring quotes.

So if you fancy chilling out on a weekend and immersing yourself in a sports documentary series that can supply some inspiration alongside the happiness and sadness of a typical season in any discipline, it’s well worth checking out All or Nothing, available via Amazon Prime.

Filed Under: Reviews, TV & Film Tagged With: All or Nothing, Amazon Prime, Sports Documentary

Weekend Box Set: Black Sails

10th April 2016 By Dan Thornton Leave a Comment

Black Sails has to tack a particularly perilous course. Not only does it act as a prequel for Treasure Island, but it also weaves in a number of real historical characters from the Golden Age of Piracy.

The series is set approximately two decades before the start of Robert Louis Stevenson’s famous novel, and centres around two famous pirate monuments – the real port of New Providence Island, and the infamous Captain Flint played by Toby Stephens. The ten episodes of the first season largely focus on the hunt for a Spanish treasure galleon, and introduce the main cast including a number of relative newcomers. Principal among them is Luke Arnold as a young John Silver yet to lose a leg and gain literary infamy, along with Zach McGowan portraying the real Charles Vane.

With producers including Michael Bay, it’s not surprising that the show initially tended to impressive visuals. But it also hinted at deeper stories and character arcs which pay off with the more accomplished second and third series. Most notable is the backstory of the famed Captain Flint, explaining exactly why he seems determined to not only wage war as a pirate, but also aims to bring down the British Empire itself. We’re not alone in attempting to understand Flint – Silver and Billy Bones both need to figure out how to handle their leader, whilst the merchant rulers of the port of Nassau make claim to knowing his character whilst still being surprised by it.

Much like the Wild West, the Golden Age of Piracy was surprisingly brief, considering how it has lived on in history and the imagination. It began with the privateer Henry Every in 1696, and ended by the late 1720s. In addition to references to the founder of piracy, we also see interpretations of ‘Calico’ Jack Rackham and Anne Bonny. The relationship between Rackham (Toby Schmitz) and Bonny (Clara Paget) is one of the high points of the series, as they bicker, fight but remain loyal to each other even in the midst of a love triangle. In reality, it was fellow female pirate Mary Read, but Black Sails has substituted Max, who at a relatively tender age has ascended from prostitute to influential brothel madame and business owner.

It’s not giving too much away to say that other notable pirates make an appearance. One of the most vicious of all pirates, Edward ‘Ned’ Low made an underwhelming appearance in season two, squandering the talents of Tadhg Murphy. But when it comes to the notorious Blackbeard himself, it would be impossible to include Edward Teach without him having an a major impact on the tale. We also see a version of Benjamin Hornigold – notable pirate turned pirate hunter, and witness why he might have made the switch in the context of the fictional series, if not why it happened in reality.

What’s fascinating is how you can see events slowly unfolding towards setting the scene for Treasure Island, and knowing the fate of the historically-based and Stevenson’s fictional characters – whilst also being surprised at the twists and turns of the plot. Some fates are adapted from what is known from historical records, whilst the fictional creations of merchant-governor Eleanor Guthrie, the ascension of Max, and a whole separate world discovered in season three allow things to veer off in unexpected directions. When something does steer back in the direction of Stevenson, it’s an almost welcome return to the familiar. Especially when it’s presented as an almost unnoticeable addition to the crew or a seemingly small decision which only makes sense when you’ve read Stevenson.

If nothing else, it’s more likely to inspire you to read and research the real historical events than the likes of Captain Jack Sparrow. It’s extremely violent in places, as befits the subject. The modern cast are doubtless more aesthetically pleasing than the real prostitutes and villains of the age, but that’s a good thing given the fairly frequent nudity and sex scenes. And it has to be said that the combination of filming in South Africa and CGI do produce some amazingly beautiful and striking scenes.

And the opening credits, featuring an intricate sculpture crafted entirely from digital special effects and a theme by Bear McCreary will definitely transport you to a different time…

Black Sails is available to watch via Amazon Video/Amazon Prime

Black Sails: Season 1

Black Sails Seasons 1 and 2 are also available on DVD, with Season 3 due for release in September 2016.

Obviously you can take your pick of the different version of Treasure Island by Robert Louis Stevenson available. But it certainly still stands the test of time as a gripping story of adventure and piracy on the high seas.

Filed Under: Reviews, TV & Film Tagged With: Amazon Prime, Black Sails, Box Sets, DVDs, Michael Bay

The Man in the High Castle – review

12th January 2016 By Grant Rencourt Leave a Comment

Have you ever wondered what life would be like if things were different? Of course you have. Everyone wonders at some point what their life would be like if they hadn’t stopped at that service station on the M4 on a wet Tuesday in February and spent 30 minutes getting their brains reduced to a pile of boredom induced sludge by an appliance salesman called Dave from Swindon.

Or what about mysterious encounters, lost opportunities in love and work? Many of us dwell on our past mistakes and the road less traveled. It’s a natural and very human thing to do.

The Road less traveled

But what happens when these personal ‘What ifs?’ become global in scale? What happens when we apply them to history and the big turning points of world events? Well, what we get is a work like ‘The Man in the High Castle’ – a novel by Philip K Dick which posits a very interesting scenario: What if the Axis powers had actually won the second world war? In his novel, Dick takes this question and imagines the result of this twist of fate to be a nightmarish post-war world where America is divided between two occupying forces – the Nazis who control most of the continent and the Japanese who preside over a slice of the western, pacific territories with a shakily maintained ‘Neutral’ zone between the two powers.

This scenario is carried over into the television adaptation of the novel which is one of the first few Amazon exclusive productions and seems to carry an impressive budget as no expense is spared on creating an authentically believable America under Japanese and Nazi rule. As you can imagine, this is no post-war Utopia or land of promise. It is is very much a land where fear, suspicion and paranoia become a part of everyday life for a lot of citizens.

The Grasshopper Lies Heavy

At the centre of the story are two main characters. Juliana Crane (Alexa Davalos) is a thirty something woman living in San Francisco and learning Japanese martial arts in her spare time. She seems to be happily involved in a relationship with her boyfriend Frank (Rupert Evans) until her sister Trudy urgently drops a number of subversive films in her lap, quite literally, one evening, a few minutes before getting shot by the Japanese secret police.

A distraught Juliana watches the films and is shocked to see that they reveal an alternative history in which the Allies actually did win the war. Although she and Frank are unable to comprehend exactly what the films mean she becomes determined to find out, even going as far as being willing to travel across the country to the Neutral Zone to meet a mysterious contact who she must hand the films over to.

Running in parallel with this story, over in east coast New York, Joe Blake seeks out an underground resistance leader who needs a courier himself to take copies of the same films across country. Only it doesn’t turn out to be quite as simple as that. After all, this is effectively a police state very much in the Orwellian mold and there are eyes everywhere. As you can quickly imagine, the fates of Joe (Luke Kleintank) and Juliana soon become entangled as they meet in the mysterious Canon City in the middle of the aforesaid neutral zone. Each is unaware of the others true motives but they find themselves drawn together as the pilot episode moves to a close.

As I mentioned above, this is a chilling American dystopia which does a great job at creating a plausible, living and breathing alternate view of history. However, what it manages so well visually it doesn’t quite manage so well in other areas. The story is very flimsy, paper thin even. But to be fair, the book has some even wilder ideas about this ‘What if?’ post-war scenario so maybe that isn’t greatly surprising .

Whilst the pilot ticks along at a good, even pace which keeps the story moving, the premise that the resistance would be routing these films through a complicated network of spies doesn’t really add up. The films are titled ‘The Grasshopper Lies Heavy’ which we learn is a reference to a Bible passage (Ecclesiastes).  However, In the Dick book, the films are not films but actually a “book” by someone called Hawthorne Abendsen and while this change makes sense in a more visual medium like television it still doesn’t change the fact that it isn’t really a powerful enough notion to carry a whole series on. A series we assume will incorporate multiple seasons.

The impression that you get from the pilot is that while the concept of a Nazi and Japanese-ruled America makes for an intriguing premise and allows writers to present a number of engaging sub-plots, the central theme doesn’t seem strong enough to keep audiences interested in the long term. Lost suffered from a similar issue but was able to lift initially apparent sub plots and minor characters into the foreground in order to build a compelling narrative and story arc.

The sub plots in TMITHC do introduce some intriguing characters, such as the Japanese trade minister who, concerned about the fate of the Japanese territories in the event of Hitler’s death (yes, Hitler is still alive and well in this reality), reads ominous signs in his I Ching predictions and confides in a sympathetic renegade Nazi officer Rudolph Wegener (Carsten Norgaard). Also, the Japanese chief of police, Inspector Kido, is suitably well drawn as is Juliana’s fiance Frank Frink (Rupert Evans) and we are certainly lead to believe that they will feature more prominently as the series progresses.

With this in mind, it is distinctly possible that The Man in the High Castle will take a similar direction creatively to shows such as Lost by building a mythos or message that lasts beyond its initially simple scope. It is a show that promises to engage and entertain despite its flaws and even by deviating from the source material by such a large degree it still has the potential to succeed on its own merits. 

The Man in the High Castle is an original Amazon series and is available to stream as a complete series via Amazon Video / Amazon Prime. Amazon is currently offering a 30 Day free trial, which is long enough to binge watch The Man in the High Castle!
There’s also a re-issue of the Philip K. Dick novel to tie in with the series.

Filed Under: TV & Film Tagged With: Amazon Prime, Phillip K Dick, The Man In The High Castle

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